Showing posts with label Chris McCabe. Show all posts
Showing posts with label Chris McCabe. Show all posts
Wednesday, 20 June 2012
CMTJ Collaboration Postcards
Via The Other Room and Andrew Bailey (who has a new Enitharmon book out, which I will be grilling him about some time in the future - I can't be more specific than that, I am not to be trusted with time commitments), I found...
this.
I don't quite know what it is. Chris McCabe and Tom Jenks, collaborating for the third time (if so, where are the other collaborations?) on a series of references to classic British seaside resorts, mostly modernist British (or Anglo-American) poets and poetry, and characters from popular B&W television, or slightly more contemporary gameshows, including Family Fortunes, Frankie Howard and the Carry On team.
I think my favourite is Kenneth Williams playing William Carlos Williams (#10 TJ) but the first one, pictured above, is suitably silly also.
If anyone can work out what that bloody sausage/wiener is doing in there, I'd be grateful to have it explained. I wouldn't put it past them, based on what I do get, to have inserted it as an incredibly crude phallic symbol, but, well, but... I was hoping for something more intelligent I might have missed?
GT
Labels:
Cack-handed attempts at satire,
Chris McCabe,
News,
postcards,
Tom Jenks
Saturday, 26 September 2009
Statements of Intent (5) - Chris McCabe: "The slip gets mistook for the punt"
You have the ghosts of the past ruffling your shuffle feature, I said to Tom, that's what I like in your work. The problem (one of the problems) with 99% of poetry is that it's set in the past: the past of a person you don't know: a past experience of a person you don't know asking you to try and access their life through a transparent language that aims to be less important than the experience itself. The slip gets mistook for the punt. Brenda said she always made a point of giving poets like this a filofax for Christmas. Poetry, when it surges forward with its great dirigible speech bubble (in the present tense) offers every line as worthy of being the first (or last). Ends only when it runs out of breathe. Offers synchronicity to the speed of everything else around us. The city, the internet, last orders. Jon reads the stuff when he's drunk, on the tube or bus: what's out the window slows down what's on the page, so better to absorb it. I said, that's what I like about you: the human mind has evolved to crave speed as the essense of all artistic experience. Or not artisitic: compared to Houseman no piece of television is slow. Goldenballs turned Jasper Carrott into Melville's Confidence Man. Sarah made a monster out of the weekend broadsheets and Mr Mister tried to make it speak. Like a great poem I'm sure it changes faces whenever I'm not looking. When you go back to one of those great dirigible bubbles it never seems the same. What living thing ever is? Andrew said I was asleep when the monster tried to bite off my tongue.
==
Chris McCabe has two collections with Salt, The Hutton Inquiry (2005) and Zeppelins (2008). He also has a pamphlet of ludic elegies called The Borrowed Notebook (Landfill).
==
Chris McCabe has two collections with Salt, The Hutton Inquiry (2005) and Zeppelins (2008). He also has a pamphlet of ludic elegies called The Borrowed Notebook (Landfill).
Thursday, 24 September 2009
One Poem by Chris McCabe
Prac Crit
Your face: a foetus’ sense of Christmas trapped in a Chinese lantern.
White, drained, wan, drawn –
open & expectant to receive,
innocent as can be expected after living with us.
I just wanted to say, the only reason we did it –
the basement traps in Dallas St., Havelock St.,
the BA Honours done waiting to jump from the bin,
the weight of the water tipped from the window,
an unfair game with lasers after we’d drained your batteries,
the Valentines’ card written out to you
not from one, but two lesbian girls –
your heart turned over like the city’s first pink cab –
all your forced gusto for Kronenbourg, a pint of numbers,
Sambuca, Tennants’ Extra – long days at Bar Variety –
the bands, the fans, what’s in, what’s out
(for Delboy, Rodders & Uncle Albert)
Squires on Monday, Tokyo Joe’s Tuesday, Polygon Saturday,
your shoes hidden as you slept – left in the cab mate –
the boot polish on your face as you woke like a bleached minstrel,
the trousers we tried to free you from on your 21st
an intervention from a stranger on Hardman St.,
all the wind-ups – I’ve just been jumped by a gang,
look at my ribs – the rat pellets dissolved in your brew
and photographed as you read MAY CAUSE DEATH
IF CONSUMED, a collapse of a smile still around your lips
as your hair grew for the moon that year
– Moth-head, Bulkhead, a bowling ball of fuzz –
which meant you missed the frisson of my forehead against the bridge
of a cokehead’s nose, a cue flailed,
the ivory option of a pool ball unexpected in the hand
and we ran through Preston
like that was the way to write a dissertation
so how could we joke, the following week
that that was them at the front door to get us back
– grab a bat, a bar, make a stand –
but you were already in the kitchen, the latch stuck,
tugging for your life like a Yale Electrotherapy Case
and when you broke into the yard and onto the escape route we’d made
– adobe wall crumbled under your cons until you hugged the terrace wall –
you turned to expect blood, brawn, brains, a brawl
and saw us pointing, laughing, deranged
in the endorphin rush of how sick we could be to think this up
And the graduate in me said: we only did it because we like you mate
Reprinted with the permission of the author.
==
Chris McCabe's latest collection of poetry is Zeppelins (published by Salt), which this poem is taken from. There's more by and about Chris McCabe on Gists and Piths.
Your face: a foetus’ sense of Christmas trapped in a Chinese lantern.
White, drained, wan, drawn –
open & expectant to receive,
innocent as can be expected after living with us.
I just wanted to say, the only reason we did it –
the basement traps in Dallas St., Havelock St.,
the BA Honours done waiting to jump from the bin,
the weight of the water tipped from the window,
an unfair game with lasers after we’d drained your batteries,
the Valentines’ card written out to you
not from one, but two lesbian girls –
your heart turned over like the city’s first pink cab –
all your forced gusto for Kronenbourg, a pint of numbers,
Sambuca, Tennants’ Extra – long days at Bar Variety –
the bands, the fans, what’s in, what’s out
(for Delboy, Rodders & Uncle Albert)
Squires on Monday, Tokyo Joe’s Tuesday, Polygon Saturday,
your shoes hidden as you slept – left in the cab mate –
the boot polish on your face as you woke like a bleached minstrel,
the trousers we tried to free you from on your 21st
an intervention from a stranger on Hardman St.,
all the wind-ups – I’ve just been jumped by a gang,
look at my ribs – the rat pellets dissolved in your brew
and photographed as you read MAY CAUSE DEATH
IF CONSUMED, a collapse of a smile still around your lips
as your hair grew for the moon that year
– Moth-head, Bulkhead, a bowling ball of fuzz –
which meant you missed the frisson of my forehead against the bridge
of a cokehead’s nose, a cue flailed,
the ivory option of a pool ball unexpected in the hand
and we ran through Preston
like that was the way to write a dissertation
so how could we joke, the following week
that that was them at the front door to get us back
– grab a bat, a bar, make a stand –
but you were already in the kitchen, the latch stuck,
tugging for your life like a Yale Electrotherapy Case
and when you broke into the yard and onto the escape route we’d made
– adobe wall crumbled under your cons until you hugged the terrace wall –
you turned to expect blood, brawn, brains, a brawl
and saw us pointing, laughing, deranged
in the endorphin rush of how sick we could be to think this up
And the graduate in me said: we only did it because we like you mate
Reprinted with the permission of the author.
==
Chris McCabe's latest collection of poetry is Zeppelins (published by Salt), which this poem is taken from. There's more by and about Chris McCabe on Gists and Piths.
Monday, 28 July 2008
'SCHMIG' - Two Poems by Chris McCabe
Tabs
Genuinely peculiar or just trying to be?
Dial 3 for genuine
______________________________________________________
lardon : pig erection
______________________________________________________
so what’s the closest thing
to the sea, to happen,
between any of us?
______________________________________________________
Put the stones in the empty rose bottle to do the Bez-maracas shake. This is what happens when you hit 30 you said : just throw it away. Look : the dry stones stick in the still-wet neck. Recycles Box – just place it there – to take it where the glass breaks back. Can the stones be made again? The wine inside & the air in my hair felt nice. Just freaky-dance I said, to the woman of 26. Don’t be such a miserable cow
______________________________________________________
REMINDER
memory loss
(or do you prefer
the one
about Memory Loss?)
______________________________________________________
correct use of language is about context : you would never call a man who had murdered a woman a ‘ladykiller’. yet the definition is accurate & in some way deferential to the victim –
police said they were looking for a ladykiller aged between 35 & 40
______________________________________________________
They tried to market the other side of the river as ‘northbank’ but that’s how people already knew it, due to the absence of what makes the south appealing. And you can’t market absence
______________________________________________________
Poseuring for photos inflates the sense of self until you don’t recognise your own image. Then you eat porridge.
______________________________________________________
(work okay today
quite quiet)
[ CONTENT ]
(get stuff done)
______________________________________________________
Shovel-loads of horseshit across the film set. Who would want to act across that? Just loads of it. Shitloads.
______________________________________________________
The quartz fly landed on the ESCAPE key. Made my teeth CAPS grit. Knee joints LOCK. Made me sick. Viscerals SHIFT.
______________________________________________________
so what’s the closest thing
under one roof, to the sea,
to these two
who love like this
Free Gift
Before bed she said : Have you seen the slug?
I answered : I’ve already flossed. If I had not
misheard I would have offered to remove it.
The morning brought a red teapot of hope in the post.
Its aroused spout stuck out of the bubblewrap.
If a teapot could be sexual, if a teapot could be socialist.
We thought a baby was either hungry or happy
but inbetween he made a noise called SCHMIG
like a jester preparing a gig for the King of Tourettes.
We had to teach him that moral dilemmas
dreg the spontaneous & here was a case exercise:
I’d lost a nail in the cornflakes trying to scoop the free gift –
I’ve found the plastic prize, but should we tell anyone?
Chris McCabe published his first book, The Hutton Inquiry (Salt) in 2005. A book called Zeppelins (Salt) is out now in hardback and a pamphlet of ludic elegies called The Borrowed Notebook (Landfill) will be published later this year.
Saturday, 28 June 2008
George Ttoouli - Chris McCabe: damn near everywhere
I'm not sure why, but I keep seeing Chris McCabe's name around. Readings in London, readings in Cambridge, readings in Brighton. Poems in damn near every print journal I've picked up since winter '07. I think I even saw his name on a few Downing Street petition links I was sent on circulars.
Is this a bad thing? No. I'm amazed that he gets everywhere - I assume he's learned some teleportation techniques from Sri Sri Ravi Shankar - but, although I've not yet actually managed to make it to one of his readings (lacking the necessary teleportation techniques myself) I've read several poems and thoroughly enjoyed them.
The latest set I found was in in Tears in the Fence #47. The first piece, titled 'Good Friday', could be summarised as follows: "Christ = Chris = Ian Curtis. Oh, the football's on." But it's even better than that.
Anyway, just needed to get that off my chest. Definitely one to watch.
Addendum 2/7/08 from the inbox:
SINCLAIR + McCabe + Silva, Bishopsgate Institute, Thursday
Penned in the Margins
www.pennedinthemargins.co.uk
Don't miss the second and final instalment of our Visions of the City mini-series at Bishopsgate Institute, tomorrow night. Iain Sinclair, Chris McCabe and Hannah Silva star. Limited capacity. For tickets call 020 7392 9220.
Is this a bad thing? No. I'm amazed that he gets everywhere - I assume he's learned some teleportation techniques from Sri Sri Ravi Shankar - but, although I've not yet actually managed to make it to one of his readings (lacking the necessary teleportation techniques myself) I've read several poems and thoroughly enjoyed them.
The latest set I found was in in Tears in the Fence #47. The first piece, titled 'Good Friday', could be summarised as follows: "Christ = Chris = Ian Curtis. Oh, the football's on." But it's even better than that.
Anyway, just needed to get that off my chest. Definitely one to watch.
Addendum 2/7/08 from the inbox:
SINCLAIR + McCabe + Silva, Bishopsgate Institute, Thursday
Penned in the Margins
www.pennedinthemargins.co.uk
Don't miss the second and final instalment of our Visions of the City mini-series at Bishopsgate Institute, tomorrow night. Iain Sinclair, Chris McCabe and Hannah Silva star. Limited capacity. For tickets call 020 7392 9220.
Labels:
Chris McCabe,
New poets,
Sri Sri Ravi Shankar
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